[sdiy] Analysis filter bank help

cheater00 . cheater00 at gmail.com
Fri May 10 07:38:55 CEST 2013


Hi Richie,
if this is digital, just sum up your band pass outputs, deduct them
from the input, and what's left is the upper and lower bands mixed
together. Then use a simple cross-over which centers somewhere in the
middle of the dead zone, one such that the pass-band has no phase
shift.

Cheers,
D.

On Fri, May 10, 2013 at 12:41 AM, Richie Burnett
<rburnett at richieburnett.co.uk> wrote:
> Hi all,
>
> I'd like to pick the collective brains of this list's members, if I may.
> It's a question about analogue filter design...
>
> I currently have an analysis filter bank designed for a Vocoder (will be a
> DSP implementation eventually.) Currently this consists of 20 bands.  Each
> of these is an 8th-order bandpass filter with 1/3rd octave bandwidth.  These
> filters are Linkwitz-Riley filters (sometimes called "Butterworth squared".)
> This ensures that adjacent filter band responses are both 6dB down and
> in-phase where bands meet, with the intention of getting the outputs of the
> entire filter bank to add up to a flat frequency response.  So far this
> works very nicely.  The resulting 20 analogue band-pass responses sum to a
> flat line with about +/-0.5dB ripple.
>
> Now here's the catch.  I want to change the bottom filter band to be a
> low-pass response, and the top filter band to be a high-pass response.  Then
> these two filters will catch everything below, and everything above the main
> bank of 18 remaining bandpass filters.  My intuition was to design these to
> be Linkwitz-Riley low-pass and high-pass responses respectively, but when
> their outputs are summed with the other 18 bandpass filters the result
> doesn't add up anywhere near to a nice flat response!  In fact the very
> gradual roll-off of these L-R filters wrecks the summed response anywhere
> near each end of the filter bank.
>
> I took a look at the excellent web page of Jurgen Haible about his Vocoder,
> and notice that his lowest and highest band's filters are lowpass and
> highpass like I want to implement.  However, their frequency responses seem
> to be Chebyshev type-1 responses.  I'm not sure how he arrived at this
> revalation to use Chebyshev filters for the lowest and highest bands, and
> unfortunately can't ask him.  So, can anyone explain to me the maths behind
> how this works?
>
> Also, whilst Jurgen's Cheby low-pass and high-pass filters incorporate into
> the bank to give a relatively flat response compared to my attempts, I'm
> still a little concerned about the quite leasurely rate of roll-off in the
> stopbands for these filters at each end of the bank:
>
> http://www.jhaible.com/vocoder/living_vocoder.html
>
> I'd really like to understand what's going on here if someone can explain,
> or can point me towards some useful references.  Everything is simulations
> of Laplace functions for me at the moment, so I'm happy to talk maths
> instead of circuits if that's what's required!
>
> Many thanks for reading,
>
> -Richie Burnett,
> _______________________________________________
> Synth-diy mailing list
> Synth-diy at dropmix.xs4all.nl
> http://dropmix.xs4all.nl/mailman/listinfo/synth-diy



More information about the Synth-diy mailing list