[sdiy] [OT] Peter Zinovieff 80th Birthday Concert & Symposium on Electronic and Computer Music, 11 May 2013, Cambridge UK

[Hall, Tom]

Hello All, and with apologies for cross-posting, please forward to anyone
who may be interested. Regards, Tom.

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Peter Zinovieff 80th Birthday Concert & Symposium on Electronic and
Computer Music 11 May 2013, Cambridge UK

Full list of speakers is available, all abstracts online, and registration
is open

Symposium registration includes a ticket to the Peter Zinovieff 80th
Birthday Concert. Tickets for the concert are also available separately
for those not attending the symposium.

Concert and symposium website: www.anglia.ac.uk/emsar

Please note that in order to qualify for the symposium lunch buffet,
registration must be completed at the latest by close of Tuesday 7 May,
2013.

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One Day Symposium on Electronic and Computer Music, EMSAR 2013

Including an evening concert celebrating the 80th birthday of electronic
music pioneer Dr Peter Zinovieff

Saturday 11 May 2013

Confirmed invited speakers include: Prof Monty Adkins (University of
Huddersfield), Dr Till Bovermann (Media Lab Helsinki), Prof Simon Emmerson
(De Montfort University), Dr Mick Grierson (Goldsmiths), Prof Peter
Manning (Durham University), Dr James Mooney (University of Leeds) and Dr
Peter Zinovieff.

The symposium concludes with an evening concert celebrating the 80th
birthday of electronic music pioneer Dr Peter Zinovieff, co-founder in the
late 1960s of Electronic Music Studios, London, and collaborator with such
composers as Harrison Birtwistle and Hans Werne Henze. Zinovieff is now
enjoying a blossoming of compositional activity and this concert will
include examples of both his early work, as well as his most recent work
in computer music.

Papers are around the following themes:

The materiality of early electronic, tape and computer music
Restoration and archiving of music involving technology
Modes of representation of electronic and computer music (objects, scores,
codeŠ)
Constraints, affordances and the idiomatic in electronic, tape and
computer music
The DIY aesthetic in electronic music hardware of the 20th century
Hardware and virtual hardware for electronic music (re)creation
Collaborations between composers and music technologists in the 20th
Century
Electronic Music Studios (EMS) hardware for 21st Century electronic music
performance
Spatialisation techniques in early tape, electronic and computer music
Music technology hardware as a bridge between modernist and popular music
For any further information, please contact Dr Tom Hall:
Email: tom.hall at anglia.ac.uk

Anglia Ruskin University
Department of Music and Performing Arts,
Anglia Ruskin University
East Road
Cambridge
CB1 1PT
UK

www.anglia.ac.uk/mpa
www.anglia.ac.uk/code
www.anglia.ac.uk/dpl

Dr Tom Hall
Senior Lecturer, Creative Music Technology
Helmore 244
Department of Music and Performing Arts
Anglia Ruskin University
East Road, Cambridge CB1 1PT

Tel: 0845 196 2065 (x2065)
Intl: +44 1223 363271, ext 2065

www.anglia.ac.uk/tomhall
www.ludions.com



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