[sdiy] Tr-606 hats / cymbals
Scott Nordlund
gsn10 at hotmail.com
Fri May 28 07:30:35 CEST 2010
The classic Roland (606, 808, etc.) metallic noise is 6 summed square
waves. You can do this with a hex inverting Schmitt trigger (40106 or
similar). The DR-110 hihat uses only 4 square waves, and the CR-78
metal beat sound uses 3. The similar Korg KR-55 and Wersi CX-1 use
8 square waves which are X-OR "ring modulated" in pairs. I tend to
prefer this sound. The 808 and KR-55 cowbell, and CR-8000 rimshot
are also derived from these circuits. The mixed square wave signals
are put through bandpass filters, usually different ones for hihats
and cymbals.
I think the technique may have originated in organs where the chromatic
TOS signals were all summed and filtered. I think organs sometimes
had more sophisticated drum sounds than stand-alone boxes...
----------------------------------------
> Date: Thu, 27 May 2010 17:55:12 -0700
> From: dave at westphila.net
> To: onephatcat at earthlink.net
> CC: synth-diy at dropmix.xs4all.nl
> Subject: Re: [sdiy] Tr-606 hats / cymbals
>
> It's a few pairs of square wave oscillators ring modulated together
> using XOR gates if I'm not mistaken.
>
> Dave
>
> Joel B wrote:
>> Most analog drum synthesis I've encountered tends to be pretty weak on
>> the hi hats and cymbals, mostly sounding like hi pass filtered white
>> noise, but the 606 actually had metallic sounding hats and cymbals.
>> Does anyone know what technique Roland used to get this effect, and
>> suggestions on avenues of exploration to create more metallic sounding
>> analog percussion?
>>
>> - Joel
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>
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