[sdiy] Generating acyclic waveforms?
Magnus Danielson
magnus at rubidium.dyndns.org
Mon Mar 22 03:18:18 CET 2010
Ian Fritz wrote:
> At 07:06 PM 3/21/2010, Magnus Danielson wrote:
>
>>> You wouldn't see a significant effect like this in winds because the
>>> waves are longitudinal waves in air and therefore have negligible
>>> dispersion. Additionally, driven systems such as winds excite
>>> coherent waves, so there can be no speeding up of specific harmonics
>>> over many cycles.
>> However, the end-impedance would allow for a similar effect, such
>> that the resonance frequency of the overtones would not match up
>> exactly with the integer multiples frequency-wise form the base
>> frequency. To illustrate the impedance effect on a wind instrument...
>
>
> No. The played notes have harmonic spectra, because they are
> periodic. (In mathematical terms this is known as "Fourier's
> theorem"). You are perhaps thinking of the resonances of the
> impedance curves, which are affected by a number of parameters,
> including the shape of the bore and end effects. The art of making
> instruments is to try to get the two spectra to match reasonably
> well. This is *extensively* discussed in Benade's book "Fundamentals
> of Musical Acoustics", chapters 20-23.
>
> Ian
>
I think you entirely missed my knowledge of both Fourier transforms and
acoustical impedances and related resonances. I also think you might
have missed the finer details that occurs in acoustical resonators such
as used in crystal oscillators, where fundamental frequency and
overtones is known to be non-harmonic due to among other things
impedances, and that also many modes of oscillation occurs. It is not
entirely impossible, that similar effects do haunt air-resonant
open-ended resonators such as wind instruments, which is what I proposed
passingly. If you do not match the impedance carefully, the resonances
will not match up harmonically and the produces waveform will be
periodic at a frequency much lower than the fundamental, but not have
the usual relationships to the fundamental tone, as you then point out.
Best Regards,
Magnus
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