[sdiy] Ultrarough draft of my hot-rodding of the Music Easel ring mod
Grant Richter
grichter at asapnet.net
Mon Sep 29 05:53:43 CEST 2008
>
>> 3. Along the same lines you could AC couple the bottom of R22 to a
>> panel jack, and the top of R19 same way which will give you the
>> positive and negative half-wave rectified distorted signal.
>
> I'm guessing it would be good to buffer these on the way out, so I
> put in some noninverting buffers. Would it be better to put the cap
> at the input to the buffer (say 4.7 uf), going to the + terminal,
> with say a 100K resistor from + to ground to provide a DC path for
> the op amp, or would it be better to connect the points you mention
> straight into the + terminal, and put the cap at the output of the
> op amp, maybe followed by a 100K resistor to ground to make sure
> the output doesn't start floating at odd places and make a pop when
> you plug something in?
>
> Basically I guess I'm asking if I should AC couple at the input of
> my buffer or at the output of my buffer.
Again, those nodes are only two diode drops from the low impedance op-
amp output. I would make it as simple as possible and just put a
0.1uF/50v cap in series to block the DC offset. They are not a big
deal and I wouldn't waste a buffer on them, or even an expensive cap.
Plugged into a 100K input it will hardly disturb a 1.5K resistor and
diode.
I mean they are highly non-linear and half-wave rectified, nasty. Why
try to make high fidelity something you already know sounds bad?
But bad sounds can be good in context, for example "industrializing"
a drum tack.
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