[sdiy] making 2 or 3 dollars an hour on synth building?
Tom Wiltshire
tom at electricdruid.net
Thu Oct 2 17:21:17 CEST 2008
On 2 Dec 2008, at 14:59, Ian Fritz wrote:
>
>> BUT i was just HOPING there was a way to supplement my income with
>> electronics. it is NO big deal though if not ;)
>
> I have a friend who makes cellos violins, etc. She makes and sells
> several a year. But you can't even *look* at one for under $20k.
> That would be the only way you could make decent money.
> Unfortunately, there isn't much demand for analog synths, since
> people have cheap software alternatives. Simple supply/demand
> economics.
I think synthesizer makers have really screwed themselves here.
Musicians who play classical acoustic instruments expect to pay £500
for their first instrument, before they can even blow/pluck/scrape it
tunefully. By the time they are good enough to play professionally in
some orchestra, they're using an instrument worth many thousands.
Contrast this with synthesizers - these have attempted to become a
mass-produced item, with the cost-cutting that implies. You can buy a
brand new synth like the Roland Juno-D for £400. Consider the amount
of work that went into it - electronics design, DSP coding, waveform
production, sampling, etc etc - not to mention the actual manufacture
and assembly, plus the cost of parts. This is only possible for large
volumes using highly sophisticated technolgy (robotic pick-and-place
machines for surface mount boards). If someone told you you could get
a similarly sophisticated 'cello for similar money, you'd laugh at them.
I occasionally wonder if there would be room at the top for some
exquisite, hand-made synths, to compete with the finest instruments
of other types. I'm not talking about your average rompler in a black
plastic box, but a craftsman-made, really beautiful instrument. That
sort of thing is *not* something that a software alternative could
replace. That's like saying that you don't need a stradivarius
becuase you can get a sample disk of one.
You could build a few synths each year and make a reasonable living
that way, I think. The only question is whether you can find enough
professional musicians to buy them.
T.
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