[sdiy] Harmonic bandwidth
Ben Lincoln
blincoln at eventualdecline.com
Thu Jan 10 02:26:23 CET 2008
Achim sent me a comment off the list which I am going to paraphrase here
since he's obviously quite smart, knows a lot about additive synthesis,
and is apparently not going to post a similar comment on the list.
What he said was that I could hear a difference in the sounds when the
base frequency was low enough (e.g. 100 Hz, like I've been using)
because at that point the "differences in peak amplitude and/or slew
rate" are getting into the area of fast envelope times (5-20ms). This is
having the effect of amplitude modulation in the audible range. That's
similar to what I was getting at with my original comment about
constructive and destructive interference between the harmonics.
I also emailed a summary of the entire discussion to Barry Truax, one of
the electroacoustic music professors at Simon Fraser University (where I
studied about a decade ago). I'm not sure if I'll get a reply, but I'm
hoping he'll at least be able to tell us if this has all been hashed out
somewhere else already. I know he is pretty familiar with digital
synthesis because he built his own hardware granular synthesizer back in
the Atari ST days, so if it's an artifact instead of amplitude
modulation, he will probably know about it.
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