[sdiy] Using audio to trigger CMOS
anthony
aankrom at bluemarble.net
Mon Apr 28 19:40:40 CEST 2008
The Polyfusion Envelope Follower is similar, having the variable threshold,
but no lag. It's an easy circuit though. I've built one: it's great for
using guitar signals to trigger, well, just about anything.
----- Original Message -----
From: "Jason Proctor" <jason at redfish.net>
To: <synth-diy at dropmix.xs4all.nl>
Sent: Monday, April 28, 2008 1:12 PM
Subject: Re: [sdiy] Using audio to trigger CMOS
> sounds like a job for an envelope follower with gate. IIRC, the fine
> Oakley implementation of this involves a rectifier feeding a comparator
> with a variable threshold. there's variable lag on the output of the
> rectifier too so that the comparator doesn't flap all the time if the
> input signal varies a lot in amplitude.
>
> when i had one, it worked like a charm.
>
> hth
>
>>Hey all,
>>
>>I'm hoping for some help refining a circuit I'm working on that uses an
>>audio signal as a clock to trigger a 4024 Ripple Counter.
>>
>>The audio signal is a 1/16th note sequence that is meant to represent a
>>square wave i.e. Note On = High (or Mark), Note Off = Low (or Space).
>>
>>I've got a prototype that uses an AC Coupled gain stage to take the audio
>>input and feeds it into a comparator.
>>
>>The current version works(ish) minus some problems which I think are down
>>to some ac coupling mistakes and a lack of headroom on my power supply -
>>all of which I think I can sort - but I was wondering if there also needs
>>to be any type of rectification between the gain stage and the comparator?
>>
>>I can be pretty specific about the type of audio signal that goes in (I'm
>>currently using a PWM square wave with a 90/10 mark/space ratio at a
>>fairly high pitch - which I figured would give the greatest ratio of High
>>to Low signal when the Note was 'on') - I'm not expecting to get a square
>>wave trigger out of a guitar input for example - but I'd like the circuit
>>to be as safe and reliable as possible.
>>
>>Any advice? Appreciated as always
>>
>>J
>>
>>
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