[sdiy] Matrix keyboard idea
steve jones
stevenflip at hotmail.com
Sun Mar 18 16:10:07 CET 2001
Hi,
On Scott Rider's page:
http://www.mcs.com/~syzygy/webdoc/mpx61.html
he describes his design (from 1985) for providing MIDI in for any MATRIX
keyboard. Has anyone worked on this idea since then?
(A bit of background before I put my foot in it: I have little knowhow or
equipment for electronics - let alone micro-electronics - my subscription to
this list is to keep up to date with the custom made PCBs and kits available
out there and the options for modifying the synths I have.)
About five years ago (before I found this design) I was looking at matrix
based keyboards - ie. the "cheap 'n' nasty" end of 80's analogue - Jen, Siel
etc, usually with 3 octave keyboards, trying to think of an alternative to
sampling them or using a midi retrofit - which often involved replacing the
DCO(?). I wanted to sequence with them via MIDI and concluded that although
a huge 'hand' of MIDI controlled pistons or solenoids would look superb
hovering over the keys and banging away at my basslines, a better solution
would be to electronically close the switches beneath the keyboard - (little
spring touches rail).
This train of thought brought up a few interesting and, correct me please,
previously un-realised possibilities for live hands-on sequencing / sequence
manipulation. Consider this: if each note
on the synth is 'keyed' individually by a switch or relay (whatever) then
this gives the possibility to switch off individual notes and stop them
responding to the sequencers output. I pictured toggle switches, one for
each key; A preprogrammed complex sequence could then be revealed one note
at a time for that Minimalist development thing / trance acid techno thing
(whatever) - the key element being *live hands-on control and performance*.
I have always preferred an 'organic' jamming approach, instead of making
decisions in advance - surely this enjoyment is key to the knobs and faders
world of analogue or we'd all be using presets.
To take this further: if this was doubled up (3x 4x...?) for a second matrix
synth, ie. they fed from the same sequence but had their own sets of toggle
switches, the 2 synths could *interact* - think of the possibilities for
portamento, release, doubling, octave splitting, polyphony etc. ALL ON THE
FLY. Set a looped midi sequence going - monophonic or polyphonic - and you'd
have development and metamorphosis at your fingertips. Perhaps start with a
random sequence and then home in on the interesting bits. Not only would you
have control of the synthesis and the sequencer, but also how the synth
listened to the sequencer. Yes, thats right, MORE switches! I'll stop there.
Any help to make something like this would be welcome. These ideas could be
the basis for a 'new' type of instrument if the reality lives up to my
imagination: The Switched Matrix Seq-O-Tweaker. Yeah well us newbies gotta
dream....
Regards,
Steve Jones,
Manchester, UK.
Q: How do you make a statue of a dinosaur?
A: You start with a big lump of rock and chip away all the bits that don't
look like a dinosaur.
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