new here plus a question...
Don Tillman
don at till.com
Sun Jan 21 11:24:41 CET 2001
Date: Thu, 18 Jan 2001 19:46:11 +0100 (MET)
From: Bram de Jong <Bram.DeJong at rug.ac.be>
On Thu, 18 Jan 2001, Happy Hairy Harry wrote: > The "tone controls"
in the Duncan application are typical of > guitar amps. If you
model them, you will have a first-order > approximation of how they
"sound".
Aha! But, my question really was: how do I do this :)
Write out the equations for the current into each node of the circuit,
and solve those equations simultaneously. If you'd like more details,
it's basically a full semester course in electrical engineering.
You'd need to get some textbooks on "linear circuit analysis".
> But most of us think that there is still something missing from
> the model. Maybe parasitic components of the circuit, or
> non-linear processes that are or are NOT obvious.
I'll suggest that the parasitics and nonlinearities are not important
to the tone stack. The problem is more fundamental.
> The other thread was "Why does the Moog Ladder filter have some
> quality that does not allow it to be modeled exactly" This is
> probably way beyond what you are trying to get to right now.
Hmmm. Isn't this allso because the straight s-lane to z-plane
transform introduces delay-free feedback loops? (that is,
additional to the 'unlinear' part)
The Moog Ladder is a separate case because it's nonlinear in a really
interesting way. You're just interested in simulating a Fender tone
stack, right? (Or the whole amp?)
(Of course I've got to wonder why anybody would go to the trouble of
simulation a simple circuit made from $10 worth of parts...)
I think the main issue is that translating from the s-plane to the
z-plane is a very rude approximation. z-poles are inherently
different than s-poles, they won't sound the same as the original, and
I'll bet you would have no problem telling the difference between the
frequency response plots visually.
-- Don
--
Don Tillman
Palo Alto, California, USA
don at till.com
http://www.till.com
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