Lin detune,MS20 Core,Polysix/Trident

[Bjorn Julin]

And as i found later i was wrong on to this conclusion!!
Arrrggh!

Reg
BJ

>>In a message dated 10/19/00 2:20:40 AM, chris at scp.de writes:
>>
>><< Call me ignorant - but what's the use of beat periods that long?
>>Wouldn't that sound almost as boring as no beating at all, i.e. using
>>two identical frequencies (just like adding two identical, gasp, samples)?
>>
>>I really do appreciate the beauty of slow beating, but I'd expect
>>everything beyond, say, 10 or 15 seconds to be barely noticable, because
>>any movement would be very (too?) slow.
>>Or am I missing something here? >>
>>
>>Although the musical usefulness of a 40-second beat period is somewhat
>>questionable, there are a couple of reasons that we are interested in such
>>a
>>long beating period:
>>
>>1.  If you can get two VCO's to consistently beat very, very slowly, then
>>you probably have eliminated any "unwanted sync" between the two VCO's.
>>This is not always as easy as we would like.
>
>As it seams, as i have mentioned in my first email about Trident/Korg
>CCOs that they are "wery" soft sync friendly it might be a isolation effect
>by the PNP transistor in the modified hook oscillator cirquit!
>
>BJ
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