Lin detune,MS20 Core,Polysix/Trident

[Bjorn Julin]

>In a message dated 10/19/00 2:20:40 AM, chris at scp.de writes:
>
><< Call me ignorant - but what's the use of beat periods that long?
>Wouldn't that sound almost as boring as no beating at all, i.e. using
>two identical frequencies (just like adding two identical, gasp, samples)?
>
>I really do appreciate the beauty of slow beating, but I'd expect
>everything beyond, say, 10 or 15 seconds to be barely noticable, because
>any movement would be very (too?) slow.
>Or am I missing something here? >>
>
>Although the musical usefulness of a 40-second beat period is somewhat
>questionable, there are a couple of reasons that we are interested in such 
>a
>long beating period:
>
>1.  If you can get two VCO's to consistently beat very, very slowly, then 
>you probably have eliminated any "unwanted sync" between the two VCO's.  
>This is not always as easy as we would like.

As it seams, as i have mentioned in my first email about Trident/Korg
CCOs that they are "wery" soft sync friendly it might be a isolation effect 
by the PNP transistor in the modified hook oscillator cirquit!

BJ
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