Linear vs. Exp = Pitch vs. Frequency
Paul Nugteren van
p_nugteren_van at hotmail.com
Wed Apr 21 16:16:59 CEST 1999
>This, getting back to the original discussion, is why Jorgen said:
>
>>>Linear detuning in most cases sound far better than exponential,
because
>the
>>>beating rate will stay the same, no matter what note you play.
>
>With "Linear Detuning", that is, a detuning control that does not
respond to
>control voltage in an exponential manner, you could slightly detune
your
>VCO's by a specified amount of Hertz, for instance, 1Hz, as in the
above
>example, and they would always beat at a rate of one time per
second, no
>matter what note or what octave you played. In most cases, this is
more
>musically desirable than having the beat rate change with the pitch.
>
>I hope this helps.
>
>Michael Bacich
>
>(BTW, this is a great thread!)
>
>From an subjective point of view (the ear and brain) I think that
exponential detuning is more desirable.
Let me explain: Try to play chords in the lowest ranges of the
keyboard (or on an piano); I bet you won't like it at all; the
frequencies of the notes are too much "stacked" together creating a
blur of sound where no chords are recongnized properly by the
ear/brain.
If you play further up it will al sound fine, the further you play
the more notes you can cram together in a chord and it will still
sound good.
If you look at detuning; detunig two oscs to 220/221 Hz a certain
chorusing will apear, the beating will be 1 times a second. You're
absolutely right if you say the beating will be twice as fast at
440/442. But the "fatness" the chorusing brought will be the same as
with 220/221.
Conclusion the beating or chorusing of two oscs should be relative,
the disadvantage of this is that you'll get a sampler-like sound
(which I don't like) but that's with al relative modulations. The
point is what sounds more natural; linear detuning or exp. detuning.
Maybe that's why all those (early) digital synths sounded cold and
unnatural compared tp analog instruments.
Paul
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