AW: analog seq techniques

[Dr. Jörg Schmitz]

> -----Ursprüngliche Nachricht-----
> Von:	Gur Milstein [SMTP:gur-m at internet-zahav.net]
> Gesendet am:	Montag, 14. September 1998 01:08
> An:	synth-diy
> Betreff:	analog seq techniques
> 
> hi guy's.
> i have a qustion and its a big one.
> i just fenish building my ferst real analog seqencer(thanx mark)
> and its the Thomas .H superseque.
> 4/16 pots
> 3/16 togel switch
> reset,clock in.......and all other.
> 
> now my ide is to work only with analog seqencers no midi
> or mc or other,how many of you guys do work this way if any ?
> i started playing with mine and found out that great seqences
> can be made with complex techniques of clock,a
> small exemple is to run an LFO pulse clock thrguh a vca
> and then to the clock in on the sequencer and controling
> the vca gain with another LFO which is frq
> is deferent then the clock one but they are soft sync,so
> ther you gut great sequence which
> are not randome and are much more intresting then a regular
> 16 step sequence.
> 
> now if i want to make a full track this way its gone cost a lot
> and take much space.
> i know some german bands making ther music this way and it
> shure do sound like it-great.
> 
> so what i'm thinking now is to build some small sequencers so
> they can control one a nother and some rely big ones
> as main patern programers,so before i do this what do you
> guys think about it ?
> 
> thanx
> Gur Milstein
	[Dr. Schmitz, Jörg]  
	Hi !
	Yes, sure that will work and lead to good music. There are two
things
	missing in your setup, which could be quite interesting : a
trigger sequencer
	and a trigger divider. And some logical devices like NOT, XOR,
AND etc.
	would be useful.
	These devices are build up easily and will lead to very complex
sequences.
	Use one LFO for triggering all other devices (Analog seq, Trig.
seq, divider a.s.o)
	You can trigger not only rythm instruments, like kick, hihat
snare etc., but
	also sounds. One trigger sequencer for the VCA, and two other
trig.seqs 
	for example for VCO. Then you can create three distinct
frequencies in a
	rythmic pattern. With VC switches, connected to a trigger
divider (1/32), you even
	can switch two or more pattern after, lets say, each 4 whole
notes.
	And so on, and so on. I do this, and : lot of fun !
	J.S.
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