DAC bit res.
gstopp at fibermux.com
gstopp at fibermux.com
Thu Feb 27 23:07:42 CET 1997
Hey - not a dumb question at all! Probably a matter of some
controversy, which means it's a pretty good question. I'm sure there's
several good opinions on this and no true "best solution". On that
note (ha ha) here's my take:
It really depends on system architecture IMHO. For example, you can
use a single high bit-count hi-res hi-accuracy DAC (expensive), with
multiplexed S/H's hanging off of it. Or you can use the same scheme
with a lower bit-count DAC (cheap), and just split up your parameters
into fine and course control. If you want the CPU (or whatever) to
calculate everything, like pitch bend and glide and intonation and all
that microtonal stuff, you'll need at least a 14-bit DAC at first
guess. If you go the split-parameter approach you can get away with an
8-bit DAC. If you're just going to use equal temperment, and your
basic pitch control is all the digital side will control, and all of
your fine tuning and pitch bend and all that extra stuff will be in
the analog domain, then a 7-bit DAC will give you the same 10-octave
range as the MIDI note 0-127 range. To make a 7-bit DAC, an easy
technique is to use 8-bit DACs and ground the LSB.
To minimize CPU overhead you can use a bunch of latched DACs rather
than the single DAC/analog mux. This means that each DAC can be used
to store the parameter, and the logic will not be required to cycle
through continuously to update analog S/H's. This approach is also
totally immune to drift and offset problems. There are a bunch of
chips from Analog Devices that can do this, like quad and octal
latched 8-bit DACs. They're not cheap, but the reduction in circuit
complexity will be drastic, and for some people this is worth a lot of
money.
- Gene
gstopp at fibermux.com
______________________________ Reply Separator _________________________________
Subject: DAC bit res.
Author: "Duane R Balvage" <dbalvage at ptdcs2.intel.com> at ccrelayout
Date: 2/27/97 12:45 PM
- Another dumb question, guys!
How many bits of resolution for frequency control would you use?
8? 10? 12? More? I am *trying* to figure out the necessary accuracy for a
polyphonic synth with ANALOG oscillators! My guess is you don't want the
tuning to drift more than a few cents in either direction. Any help in this
matter will be GREATLY appreciated!
More information about the Synth-diy
mailing list