EG design
John P
johnp at wwa.com
Mon Aug 25 16:41:44 CEST 1997
Grant Richter wrote:
>
> >
> > Is there any point charging an envelope generators timing cap with a
> > constant current source, variable of course, to generate a linear change
> in
> > output pd. Or do exponential rises and falls sound more realistic. mmm,
> > there's a thing, realism, I'm not sure thats the right word. My D-50
> (shock
> > horror) seems to have linear EGs, at least the diagrams on the front
> > suggest that, and they sound very odd on a slow attack/decay setting.
> >
> > Any one built a analogue linear EG?
> >
> The Buchla and Serge EGs are all linear slopes, as is the Wiard. The
> thinking goes like this:
>
> If you have a linear VCA then you need an exponential envelope to get it to
> sound right. This is what Moog did. But the problem is if you want to use
> the envelope for something else. Take panning for instance - you don't want
> an exponential pan envelope, you want a linear one. Buchla and Serges
> response was to use a linear envelope and make the VCAs exponential. That
> way, the envelopes are more generally useful in controlling any parameter.
>
> To summarize:
> Linear VCA - Exponential envelope
> Exponential VCA - Linear envelope
The Serge envelope generators also have expo VC with a +/- processing
pot. You can patch the output of the EG into its VC input (feedback).
With the processing pot set on the + side (noninverting), the envelope
becomes exponential. With the pot set to the - side (inverting), you
get a logarithmic envelope. Intuitively enough, the exponential
envelopes sound more percussive and plucky using an expo VCA.
.... .... ....
. . . . . .
. . . . . .
... ... ... ... ... ...
linear env expo env log
env
This is more of a subtle effect rather than an earth-shattering effect.
This feedback technique can also be used to change the waveshape on a
VCO.
John P.
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