Vocoder Performance Technique
Bob.Schrum at harpercollins.com
Bob.Schrum at harpercollins.com
Fri May 10 15:50:54 CEST 1996
I've tried asking about this in various performing musician forums,
but haven't gotten any feedback other than "What's a vocoder?" I
hestitated to ask here, because this question is not "how to build"
but "how do I use this thing I built?" I figure if folks on this
forum are building them, they must be using them too.
I built the Paia vocoder and I've also played with the vocoder program
in the Boss SE50 multieffects processor. I've had mostly good results
with either in the studio, but have had embarrasingly dismal results
in a live environment. I play keyboards in a 10-piece horn band
(http://www.grfn.org/~pocket) so stage volumes are naturally high.
I've tried both a EV N/DYM 757 and a Toa headset microphone (both
supercardioid) through a Mackie mixer's preamp, but neither one
prevents false triggering from the drum kit and the guitar rig.
Intelligibility is a problem as well. In the studio, I found a
breathy speaking voice worked best, as singing caused formant and
dynamics problems when the pitch comes close to a filter band.
Onstage, I found I needed to set the sensitivity so low, I have to
really belt it out just to get results that sound like "AAAA
AAAA-AAAOOOO EEE OOO AAAAAA."
I'm almost sure it is possible to use a vocoder onstage, witnessing
Phil Collins, Pink Floyd, Herbie Hancock and Roger Troutman (80% of
his lead vocals are vocoded!) ...unless they're all cheating by using
pre-recorded tracks.
Does anybody have any ideas or experiences with this? Are there any
articles or books on vocoder technique? Is there a better
noise-rejecting mic, like a $15-thousand fighter pilot helmet? Do I
need to compress/gate the daylights out of the mic signal? Should I
be looking at another vocoder? Or should I just cheat and use tape or
(mothers, protect your children's ears<G>) a sampler?
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