Progress on ASM-1
gstopp at fibermux.com
gstopp at fibermux.com
Wed Aug 7 23:20:01 CEST 1996
Here's some comments about the ASM-1...
I just realized that I didn't include any notes in my documentation
about actually listening to the thing - Bob's right, the signals would
be way above line level and should be attenuated before amplification.
It's probably a good idea to include a master volume pot on the final
machine. One may be tempted to run the final VCA direct into the
mixing board and pad it there, but the board's preamp will probably be
overdriven. At this point one may be further tempted to cut down
either the input to the VCA or its control CV, then go straight into
the board, but your signal-to-noise will not be so good. Better to run
the VCA input hot, and the control CV full-strength, then cut it down
with a volume pot *after* the VCA output for the best S/N ratio.
The noise source "Level" trimpot will adjust the noise level from zero
to max - somewhere in between is a good setting. I would probably
adjust it so that the pink noise output sounds about as loud as a VCO
waveform. The ear is much better than a scope for noise, since to see
the whole picture on the scope you'll probably need to set the
vertical to 5 volts/div and the horizontal to a real slow sweep just
to get a band of fuzz across the scope screen.
As the LFO rate pot is turned almost all the way down (attenuating the
square wave down to almost nothing to the input of the integrating
op-amp), the LFO frequency will slow down towards zero hertz. Once the
integrator's input is at ground, the LFO will stop and the triangle
output will probably slowly drift to either the (+) or (-) supply. The
minimum frequency before this happens will be determined by a couple
things - first, the resolution of the rate pot near the lowest
setting, and second, the leakage currents of the TL-082. If you aren't
using a TL-082 here, I suggest that you do because something like an
LM358 or 1458 will not go to nearly as low a frequency before
"stalling". Also remember to de-flux the circuit board because solder
flux residue will cause leakage currents and prevent really low
frequencies.
In my drawing I showed a minimum frequency resistor in series with the
LFO rate pot on the ground side, but I forgot to mention the LFO in my
documentation. You can experiment with this to get the lowest
frequency - try around 22 ohms first. Of course you can make it zero
ohms and let your LFO "stall" at the lowest setting, providing you
with a source of (-) voltage or (+) voltage, depending on where it was
when you turned the pot down all the way. Many times in my homebuilt
stuff I got confused by something like a pulse wave that was silent or
a filter that was shut down, and finally stumbing on the fact that an
LFO had stalled taking the pulse width or filter cutoff with it. If
you like a certain "danger factor" in your performances, then by all
means let your LFO's go down to stall speed. I personally like to be
fooled by the machines once in a while.
If you do want to add a range switch to the LFO, probably the best way
to do it is to switch in another cap across the LFO's integrator. This
may be a little messy since you will need to add wires to the
component on the board, or run wires from the capacitor's location on
the PCB and mount your capacitors on the panel switch.
Also, bi-color LEDs are always fun to have in DIY synthesizers.
Have fun!
- Gene
gstopp at fibermux.com
______________________________ Reply Separator _________________________________
Subject: Progress on ASM-1
Author: Bob Zimmer <bzimmer at voicenet.com> at ccrelayout
Date: 8/7/96 12:24 PM
This is some possible suggestions for those of you that are building ASM-1's!
<good stuff snipped>
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