<div dir="auto">> 8 or 16 voice. ... What do you choose, and why?<div dir="auto"><br></div><div dir="auto">Not sure, depends a lot on what to use it for. From a pianist's perspective 8 voices will not be fun, and even 16 can be limited. </div><div dir="auto"><br></div><div dir="auto">Personally probably 8, unless the price is low or it has other tricks justifying those 16 voices.</div><div dir="auto"><br></div><div dir="auto">> What markup would 16 voice have to be over 8 voice where you'll say</div><div dir="auto">it's not worth it anymore? Ranging between 0% and 100%.</div><div dir="auto"><br></div><div dir="auto">This can depend a lot in the price. For a really expensive instrument your budget might be broken already by the 8-voice version, so 16 is out of the question regardless of the markup.</div><div dir="auto"><br></div><div dir="auto">Somewhat similar with a cheaper instrument if it's not very interesting - then why spend more to get more of it. (-:</div><div dir="auto"><br></div><div dir="auto">/mr</div></div><br><div class="gmail_quote gmail_quote_container"><div dir="ltr" class="gmail_attr">Den sön 26 juli 2026 22:23Tom Wiltshire <<a href="mailto:tom@electricdruid.net">tom@electricdruid.net</a>> skrev:<br></div><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex">If you consider the actual cost of the voices as part of the cost of the entire synth, that more-or-less gives you your answer.<br>
<br>
The hardware cost of a synth is a *big* percentage of the final build price - the case, the interface, the keyboard, knobs, switches, etc etc. That's entirely the same between 8 and 16 voice. I'm not talking about the *final price* - that has transport and dealer mark-up and all sorts added on. I'm talking about the price to actually build the instrument, the price at the factory door.<br>
<br>
Then there's the development cost. That's the same too. Adding more voices once you've done the voice design is basically zero-cost, beyond the cost of the actual parts on the board. Writing software that can handle plugging in an extra eight voices is basic, so there's no cost there.<br>
<br>
In general, I think the extra that companies charge for the 16-voice version over the 8-voice version is far more than is justified by the actual extra costs of a 16-voice instrument. Whether that's because they priced the 8-voice version extremely competitively to give them a way in to a lower tier of the market, or whether they're simply increasing their mark-up on a "luxury" product, I dunno. But I don't see any technical reason why the two prices should be as far apart as they mostly seem to be.<br>
<br>
HTH<br>
Tom<br>
<br>
> On 26 Jul 2026, at 19:57, cheater cheater via Synth-diy <<a href="mailto:synth-diy@synth-diy.org" target="_blank" rel="noreferrer">synth-diy@synth-diy.org</a>> wrote:<br>
> <br>
> Let's say you're making/buying a polysynth. You can make it 8 or 16<br>
> voice. It's equally practical to do 8 or 16, it's not larger or<br>
> bulkier, the 16 voice costs 25% more, it doesn't do multitimbrality,<br>
> so there's only one sound coming out of it at any time. What do you<br>
> choose, and why?<br>
> <br>
> What markup would 16 voice have to be over 8 voice where you'll say<br>
> it's not worth it anymore? Ranging between 0% and 100%.<br>
> <br>
> Thanks!<br>
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