<html aria-label="message body"><head><meta http-equiv="content-type" content="text/html; charset=us-ascii"></head><body style="overflow-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;">Fabulous work Tom!<div><br></div><div>And the outcome of moving that graph slider was ... errr... wormhole-inducing, or summat!</div><div><br></div><div>A<br id="lineBreakAtBeginningOfMessage"><div><br><blockquote type="cite"><div>On 16 Jun 2026, at 23:20, Tom Wiltshire <tom@electricdruid.net> wrote:</div><br class="Apple-interchange-newline"><div><meta http-equiv="Content-Type" content="text/html; charset=us-ascii"><div style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;"><div>I've spent a long time wondering about how the LFO waveshape relates to the final pitch shift you get when modulating a BBD clock, as you would in a Chorus or Flanger circuit. Or even a delay-based analogue vibrato, come to that.</div><div><br></div><div>I recently managed to get some interactive demonstrations done, which I think make the whole thing a lot easier to understand. Here's the finished article. Perhaps some of you will find it interesting.</div><div><br></div><div><a href="https://electricdruid.net/weird-wiggles-bbd-clock-modulation/">https://electricdruid.net/weird-wiggles-bbd-clock-modulation/</a></div><div><br></div><div>Any thoughts, comments, or error-spotting appreciated.</div><div><br></div><div>Thanks,</div><div>Tom</div></div>________________________________________________________<br>This is the Synth-diy mailing list<br>Submit email to: Synth-diy@synth-diy.org<br>View archive at: https://synth-diy.org/pipermail/synth-diy/<br>Check your settings at: https://synth-diy.org/mailman/listinfo/synth-diy<br>Selling or trading? Use marketplace@synth-diy.org<br></div></blockquote></div><br></div></body></html>