<div dir="auto">Hi, <div dir="auto">Pole mixing is fascinating, but from my experiences from employing it on a four-pole cascade lowpass filter I'd recommend to think twice. Some drawbacks are not obvious from the start - in the order of decreasing obviousness:</div><div dir="auto"><br></div><div dir="auto">- Precision. Especially the resistors need a certain precision, which can be less fun if looking for those deep notches or if you need matching stereo pairs or synth voices.</div><div dir="auto"><br></div><div dir="auto">- Noise. The more complex pole mix modes rely on mixing many taps very loudly and then cancelling out most of their signals except for the desired ones. The catch is that noise is not cancelled out, and adds together with lots of gain. Noisefloor is then much higher on some modes.</div><div dir="auto"><br></div><div dir="auto">- Resonance. The pole-mixed filter slopes are correct when the resonance is turned down, but not when you turn it up. Resonant peaks can then appear in less desirable ways. Also the stopband suffers: The 4-pole HP mix for instance is then not 24 dB/oct anymore since an increasing resonance pulls up a flatter response. I guess it would need some resonance switching scheme or resonance-dependent pole mixing to get this right.</div><div dir="auto"><br></div><div dir="auto">So in general I'd recommend to stay away from it and create the esoteric 4-pole responses in other ways, unless you want to try it for fun. :-)</div><div dir="auto"><br></div><div dir="auto">But the few pole-mixing possibilities on 2-pole filters work very well!</div><div dir="auto"><br></div><div dir="auto">/mr</div><div dir="auto"><br></div><div dir="auto">PS: I've seen some DC offset issues as well!</div></div><br><div class="gmail_quote gmail_quote_container"><div dir="ltr" class="gmail_attr">Den fre 1 maj 2026 17:12Jeff Whitman via Synth-diy <<a href="mailto:synth-diy@synth-diy.org">synth-diy@synth-diy.org</a>> skrev:<br></div><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex"><div style="line-break:after-white-space"><div><br></div><div><br></div><div><p>Hello there,</p><p>I’ve been working on an analog synth project for several years using Sound Semiconductor parts. Their data sheets and design notes have been incredibly helpful, especially for those of us who are not primarily analog designers. I’m a firmware engineer by profession - now retired, with an EE background from a long time ago, so I understand the basics but would really appreciate input from people with more analog design experience.</p><p>For this project, I’ve built a “voice” of three oscillator boards using the SSI2131, a filter board using the SSI2140 in the suggested pole-mixing configuration to create a 16-mode multimode filter, a low-pass filter using the SSI2144, and linear-controlled VCAs using the SSI2164.</p><p>My questions are specifically around using the SSI2140 for pole mixing. From what I can tell, this design is very similar to the filter used in the Matrix-12, and I’ve spent some time studying that schematic. I’ve also reviewed the AN701 filter design document on the Sound Semiconductor website. I’m including my schematic in PDF form in the hope that some of the very smart analog folks here can offer suggestions about something I’m seeing.</p><p>I’ve been using <a href="http://claude.ai/" target="_blank" rel="noreferrer">Claude.ai</a> to help analyze each of my filter configurations and determine whether they are behaving as expected. I’ve also been doing sound comparisons against the Arturia Matrix-12 V modeled synth. One thing I’ve found is that I’m getting DC offset that appears to be coming from the pole outputs of the SSI2140. Depending on the pole-mixing resistor configuration selected for a given filter mode, I’m seeing significant DC offset.</p><p>I’ve been feeding Claude scope shots to help analyze this, and so far its interpretation seems pretty consistent with what I’m measuring. As a side note, this has been a very useful application of AI for troubleshooting. For the pole-mixing network, I’m using 1% resistors and also using 1% capacitors, as recommended in the data sheet and AN701.</p><p>Here is the table Claude generated from my measurements:</p><pre><div><div><div><div><div><div><div></div><div><div><div><div id="m_7901873607475970514code-block-viewer" dir="ltr"><div><pre><code>Mode Mean DC Offset<br>LP1 -12.5 mV<br>LP2 -40 mV<br>LP3 -30 mV<br>LP4 -30 mV<br>HP1 -61.9 mV<br>HP2 -131.1 mV<br>HP3 -284.4 mV<br>HP4 -583.6 mV</code></pre></div></div></div></div></div></div></div></div></div><div><div></div></div></div></div></pre><p>Claude’s current explanation is that the increasing weighting factors in the pole-mixing network are directly amplifying the DC component.</p><p>Things that appear to have been ruled out:</p><pre><div><div><div><div><div><div><div></div><div><div><div><div id="m_7901873607475970514code-block-viewer" dir="ltr"><div><pre><code>Power supply asymmetry (-11.93 V vs. +12.02 V) — likely negligible<br>Input signal DC component — input is about +117 mV, while U1A shows only -8.33 mV offset<br>TL074 op-amp offset voltage — too small to explain this magnitude<br>Unity-gain buffers — not populated - I have jumpers.</code></pre></div></div></div></div></div></div></div></div></div><div><div></div></div></div></div></pre><p>The suggested fix is to add four 1 µF film capacitors, such as WIMA MKS2 parts, on the SSI2140 OUT1–OUT4 pins, placed between the OUT pins and the 15k mixing resistors. The idea is that this would block DC before it enters the pole-mixing network, preventing it from being amplified by U1B regardless of filter mode.</p><p>I’m curious whether adding these coupling capacitors makes sense, and whether that would be compatible with the intended use of the SSI2140. I’m a little surprised that the data sheet does not discuss the need for them if this is expected behavior. I did find some discussion about this on Mod Wiggler, but I didn’t see a clear conclusion.</p><p>I’d appreciate any advice, and hopefully I’ll be able to understand it. Also, if you see any other design issues or possible improvements, I’d be grateful for the feedback — pun intended.</p><p>Thanks,</p><p>Jeff</p></div></div><div style="line-break:after-white-space"><div></div><br><div>
<div>Sent by voice-transit conductor</div>
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