<HTML><BODY style="word-wrap: break-word; -khtml-nbsp-mode: space; -khtml-line-break: after-white-space; "><BR><DIV><DIV>On May 1, 2006, at 12:37 AM, ASSI wrote:</DIV><BR class="Apple-interchange-newline"><BLOCKQUOTE type="cite"><P style="margin: 0.0px 0.0px 0.0px 0.0px"><FONT face="Helvetica" size="3" style="font: 12.0px Helvetica">That assumes 1V/octave, but I hope that folks wouldn't use an LFO to<SPAN class="Apple-converted-space"> </SPAN></FONT></P> <P style="margin: 0.0px 0.0px 0.0px 0.0px"><FONT face="Helvetica" size="3" style="font: 12.0px Helvetica">modulate over ten octaves all the time... :-)</FONT></P> </BLOCKQUOTE></DIV><BR><DIV>That's a very good point. The more you attenuate the LFO wave at your modulation destinations, the smaller those steps will become, and the less apparent they will be to the ear. We rarely do LFO pitch sweeps that are greater than one octave, and even our BIG filter sweeps are usually not larger than four or five octaves.</DIV><DIV><BR class="khtml-block-placeholder"></DIV><DIV>Mike B.</DIV><DIV><BR class="khtml-block-placeholder"></DIV></BODY></HTML>